Review ·

If there’s one thing the Black Keys don’t have (besides a bass player), it’s an identity crisis. Five albums in, and you pretty much know what you’re getting from the Akron duo with each release -- muscular and svelte blues. Even when they Keys bring in a hired gun to expand their sound -- like they did with Danger Mouse on 2008’s Attack & Release -- their music still sounds almost exactly as does on their 2002 debut, The Big Come Up.


So it should come as no surprise, really, that guitarist Dan Auerbach’s solo debut, Keep It Hid, plays like a Black Keys album with a few sub-par genre experiments tacked on. A faint tinge of bluegrass informs the big, sappy closer, “Goin’ Home.” The weepy “When the Night Comes” appropriates the style of rock that Ben Harper has used to headline festivals, removing any trace of Auerbach’s trademark authority. “Trouble Weighs a Ton” plays like the rote roots rock that set the Black Keys apart from their dusty Fat Possum contemporaries. And “My Last Mistake” is so dead-on for Creedence Clearwater Revival, you’d swear it was a cover.  


But it's when Auerbach hews closely to the clenched-fist blues-rock of his full-time gig that Keep It Hid shows flashes of panache and power that the album lacks elsewhere. “I Want Some More” slams like a jackhammer hitting asphalt, with Auerbach’s guitar and the drums lining up for some serious power notes. The taunting “Street Walkin’” and the marauding “The Prowl” find Auerbach becoming the horny bluesman he plays so well. He spends both tracks trying to get laid over the album’s best riffs.


It’s admirable that Auerbach would want to start looking outside of the limitations he and fellow Key Patrick Carney put on themselves at the jump by bringing in a full band to augment his sound. But there’s not much on Keep It Hid to enjoy that couldn’t have come from the Black Keys. Even the best non-blues song (the southwestern-soaked “When I Left the Room”) is desperately Black Keys-like, to the point where you begin to feel for Auerbach’s inability to stretch himself. Maybe Keep It Hid allowed him to exercise some less than perfect songs he’s had in the chamber that he didn’t feel like using on past releases. But most of Keep It Hid finds Auerbach fitfully trying to be different, but ending up with mediocre routine results.    






  • Trouble Weighs A Ton
  • I Want Some More
  • Heartbroken, In Disrepair
  • Because I Should
  • Whispered Words
  • Real Desire
  • When the Night Comes
  • Mean Monsoon
  • The Prowl
  • Keep It Hid
  • My Last Mistake
  • When I Left the Room
  • Street Walkin'
  • Goin' Home

Written during the recording sessions for the Black Keys' 2008 album Attack & Release, Keep It Hid marks the first solo release for the band’s guitarist and singer Dan Auerbach. With five group albums already under his belt, Auerbach takes on a much more diverse role with Keep It Hid, performing the majority of the instrumental roles throughout the album. There are exceptions however, as Auerbach's uncle James Quine, drummer Bob Cesare and singer/songwriter Jessica Lea Mayfield all contribute throughout. Having already produced Mayfield's debut album there, Keep It Hid was recorded and engineered by Auerbach at his personal Akron Analog studio.

P.O.S. - Never Better Nashville Pussy From Hell to Texas

I definietly think that he could have taken more steps from the traditional Black Keys sound. Fans should check out Jessica Lea Mayfield's album to hear Auerbach stretch himself more. But there are some quality songs here and overall its a good Keys-esque album.

/site_media/uploads/images/users/WilliamTrinity/william.jpg WilliamTrinity

This is a great disc (and so is that Jessica Lea Mayfield album, WilliamT). Saw Dan play on Sunday night and it was really excellent. A fine show that sounded great in a not-so-great souding venue. Dude rules.

/site_media/uploads/images/users/mfiander/profile.jpg mfiander

'whispered words' by itself is enough for me to dig this album, although I don't see why he needed to ditch Carney to record it...


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