Lucky for us music fans, we still have a musical treasure like Brian Wilson around making new music. You might have heard of a little band he was involved in in the '60s, the Beach Boys. That Lucky Old Sun is the follow-up to Wilson's long-in-the-works SMiLE, which made a critical splash in 2004. Lucky Old Sun is billed as a concept album about Southern California, a topic Wilson knows like no other. The album consists of music and spoken word. Another music legend, Van Dyke Parks, who worked with the Beach Boys back in the day and has more recently collaborated with Joanna Newsom and Inara George, helped Wilson craft Lucky Old Sun. The album is also available in an enhanced CD/DVD format.
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Artist: http://www.brianwilson.com
Label: http://www.capitolrecords.com
In case you forgot (and because it may be the only thing he remembers), Brian Wilson would like to officially remind you that he loves southern California. A lot. So much so that he’s crafted a massively bloated, half-sung/half spoken-word musical tribute to the mythically sunsplashed vistas that stretch from Hollywood to Venice Beach but are only utopic within the lysergically hammered wrinkles of this Beach Boy’s brain.
Although Wilson has proven that he is incredibly capable of reaching into his back pages to reanimate the various musical periods of his life (2004’s SMiLE so deftly, brilliantly resurrected and built upon 1966’s Smile that I began to wonder if Wilson is in possession of a little deuce coupe with a flux capacitor), That Lucky Old Sun is content to revamp such turgid and overproduced mid-'70s bombastica as Holland and 15 Big Ones rather than the sparkling pet sounds of the his late-'60s work.
Some of it works -- “Southern California” 's honey-harmony’d and piano-led wistful look at the history of the Beach Boys in specific and SoCal in general is rather touching. But the rest of the album, especially the overwrought spoken-word interludes, remains a series of harmonized thuds and (however pretty) blank-eyed lobotomy-pop.
If Wilson continues to revisit his earlier musical eras, does this mean that we must brace ourselves for the eventual horror of a Brian Wilson (1988) or I Just Wasn’t Made for These Times (1995) rewrite? God only knows.
This is clearly brian's best work since the 60' Brian shows the genius that I have loved my whole life. Brian Wilson is the best song writer in my lifetime. Nobody has ever written with more heart and melodic catch than Brian. I thank Brian for adding the soundtrack for my life.
Tom Nay