Variety details the travails producers go through when making music biopics

Variety has a really interesting story about how difficult it can be to get a music biopic produced, as people with conflicting interests (the families who want the artist to be presented as a hero, the producers who want the truth, the studios that want it to sell tickets) can sink projects.

 

“Mark blames the same thing that gets in the way of so many projects: creative differences -- in particular the clash between the goals of the studio, which typically wants a product with mass appeal, and the creators, who want to paint a realistic portrait of their subject. And Mark has firsthand experience with this very struggle, having worked to hammer out a film deal for his clients in Motley Crue since their tell-all book "The Dirt" came out in 2001.

 

"It's been torture!" he says. "Motley Crue is a band that has a really gritty book that was a hit, and yet people want a smoothed-over script. ... Rock 'n' roll that makes a good movie is hardcore stuff!"

 

The story also has details about the biopics of Keith Moon (downscaling to an indie like Control), Iggy Pop (other than Elijah Wood being on board, nothing), Debbie Harry (see Iggy Pop but replace Wood with Kirsten Dunst), Janis Joplin (see Harry and Pop, but replace Dunst and Wood with nearly a dozen young actresses, none of whom are attached right now), and Louis Armstrong (moving along quite nicely now that Forrest Whitaker is on board). To read the story, go here.  

 

Posted in: INDUSTRY NEWS
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2 Responses

November 20, 2008 at 3:37 p.m.

"Control" is a great film -one of the best biopics I've seen.

November 20, 2008 at 3:39 p.m.

Agreed Dukkookim. Control is the only biopic that matters in my book.

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