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Track Review: Devendra Banhart "Tonada Yanomaninista"

Track Review: Devendra Banhart "Tonada Yanomaninista"

As probably the first Devendra Banhart song I can state an unequivocal affinity for, "Tonada Yanomaninista" wins me over by abandoning the hippie warbling that made its singer's name. Though his signature bleating creeps in on the end of certain words, Banhart spends most of the track in a appealingly disaffected croon. The gravel in his voice, the playing that's a weird combo of sloppy and sharp, this almost sounds like a blueprint for how the Strokes could have avoided that third record jinx (I know that sounds a little crazy, but listen to it and tell me it's not there). The storming rhythm and sweet female backing voices add tallies in the plus column.
At the 1:30 mark, over appropriate organ notes, the song switches to Jim Morrison country. Questionable poetry, heavy with references to mothers and death, briefly takes center stage lowering the fun quotient. It's short though, and the head rush comes back before the complaint can rise above the level of a nit picked. Really, nicely played Devendra.
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Track Review

Very nice. I like that he's moving away from his "sound" a bit here.

Anthony

[...] zeigt sich überzeugt von diesen Appetithäppchen: “Really, nicely played Devendra”, schreibt das prefixmax und wünscht sich, die Strokes hätten mit ihrem letzten Album eine ähnliche [...]

Hilfe, die Hippies kommen (Devendra Banhart, Jim M

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