Rock Econ 101: The Dresden Dolls discover music is a business

On the face of it, the Dresden Dolls seem like they'd be doing pretty well. Major label contract.ÂÂ Worldwide tours as headliners and opening acts for arena-rockers like Nine Inch Nails (albeit on NIN's theater tour from mid-2005). Only two band members between whom to split the earnings.ÂÂ But as we learn in this NPR piece, life as rock's preeminent punk-cabaret act isn'''t all wine and roses. In fact, according to songwriter Amanda Palmer, the band is barely scraping by.
Palmer and Viglione might be budding rock stars, but they're still pretty broke. They have to pay their road crew three to four times what they pay themselves Â'' which is a modest $1,500 a month. Remember, this a band that has toured with Nine Inch Nails.
"In order to go on that tour, we had to lose money," Palmer says. "Just because we're up on a giant stage, playing in front of 5,000 people, doesn't mean any money in our pocket."

Later, Palmer expresses shock that music is a business. In a primer on rock economics for bands with their heads up their asses, she expresses dismay that the Dolls make next to no money on their album sales, have to give a cut of merch revenue with venues, and that it gets expensive to pay a full crew, a soundman, and touring in a cushy bus.
"I haven't been writing. I've been promoting and e-mailing and phone calling," she says. "I haven't felt like an artist; I've felt like a businessman. I made that deliberate choice Â'' looking at my computer and looking at the piano and saying, 'I'm going to e-mail.'"

Hate to break it to ya, Amanda. To make money in music you either have to sell yourself to fans and promoters, or sell out.ÂÂ What's it gonna be?
Posted in: DRESDEN DOLLS
 

3 Responses

January 18, 2007 at 5:38 p.m.

What are you talking about? I'll give you the benefit of the doubt, that maybe you just read the interview transcript, but I listened to that same interview, and they, in no way come off like you would like them to...Makes for an easier blog if they were completely naive about the business aspect of music and were just whining about being broke, huh...Unfortunately for you, that wasn't the case. They were just explaining how it is to be one of the smaller bands out there. Dispelling myths such as headlining for a more successful band like NIN, brings you a lot of cash....A little too quick to trash an artist, aren't we?

January 24, 2007 at 2:24 p.m.

totally agree with you on that one, Dan. "To make money in music you either have to sell yourself to fans and promoters, or sell out. What'''s it gonna be?"wow thats shameless.it find it kind of cool actually that she find more comfort in her work then in her sales. the dismay I find from amanda comes from this qoute-''"I haven'''t been writing. I'''ve been promoting and e-mailing and phone calling,''" she says. ''"I haven'''t felt like an artist; I'''ve felt like a businessman. I made that deliberate choice '' looking at my computer and looking at the piano and saying, '''I'''m going to e-mail.'''''"I have respect for her as an artist because she recognizes that being an artist is writing and selling yourself. not an image as most in the music industry would do so today.

January 24, 2007 at 2:49 p.m.

Yeah, Dan, I did only read the interview onine and didn't listen to the interview, which was irresponsible. In no way did I mean to demean the Dolls, of whom I am a great admirer. Stephen, by "sell yourself," I wasn't referring to selling out but creating an image through songwriting and self-presentation and self-promotion (which the DD have successfully done). I intended to mock out the unfair economics and superficialities of the music biz and the non-creative, time-wasting bullshit that talented people have to go through to succeed (or survive). The Dolls have a totally original thing going--they're obviously not a candidate to sell out--but in retrospect my sarcasm missed the mark and appears unduly harsh on them.

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