Sometimes one wonders if it'''s chicken-or-the-egg with the Hold Steady: Were they first ''"The Best Bar Band in America''" (quoth NPR) and then subsequently recognized as such? Or was it the deification that came before, and the ''"riffs/poetry/BEER''" live act (at least in its current incarnation) that shrewdly followed? In many ways, the correct answer is ''"It'''s awesome. Who cares.''" But with news now surfacing that the band will release a live album in 2008, it'''s a question that seems particularly relevant: Between their more-than-a-little oxymoronic critical coronation (find me a real Hipster Bar Band, I'''ll find you the Giant Flying Unicorn Bus on which they tour) and their equally winking/ironic acceptance of the crown (pretty sure Craig Finn'''s always been a little more Lou Reed than Hootie, yes?), at this point in the Hold Steady'''s rather unique evolution''¦what exactly should be deemed progress? For the Best Kerouac-Quoting Indie Approximation of What a Bar Band Might Be Like in America'¢, a live album seems like both a ho-hum stopgap and''fair or not''a self-aware fork in the road. [NME] For now, all non-existential paths lead to Seattle: 11-04 Seattle, WA - HUB Ballroom 11-05 Portland, OR - Crystal Ballroom 11-06 San Francisco, CA - Warfield Theater 11-07 Los Angeles, CA - The Wiltern 11-08 San Diego, CA - Cane's 11-09 Tempe, AZ - Marquee Theatre 11-11 Boulder, CO - Fox Theater 11-12 Denver, CO - Ogden Theatre 11-13 Lawrence, KS - Granada 11-14 Dallas, TX - Palladium Ballroom 11-15 Austin, TX - La Zona Rosa 11-17 Birmingham, AL - BottleTree Annex 11-18 Atlanta, GA - Variety Playhouse 11-19 Richmond, VA - Toad's Place Richmond 11-20 Washington, DC - 9:30 Club 11-21 New York, NY - Terminal 5 (All dates with Art Brut)
How is this related to the special edition of Boys and Girls in America?
Mike Burr