We've been seeing a lot of performances of full albums lately. Between Daydream Nation, Exile in Guyville, and It Takes a Nation of Millions to Hold Us Back, the trend of performaning favorite albums live has proven a considerable boon to ticket sales and reinvigorated the popularity of some old bands. But is it truly an authentic live experience?
Liz Phair had the following to say about the origins of her highly-anticipated Guyville shows: "When we decided we were going to rerelease it, everyone at ATO said, 'You have to play it live -- you have to play the whole thing live.' And I was like, 'Holy crap, really?' I don't think I've ever played a lot of those songs live." Sonic Youth enjoyed a huge spike in ticket sales with its limited Daydream Nation performances, and performed tracks that they normally never perform.
So it seems that these shows have to constantly balance between serving fans' nostalgic tendencies while playing rarely performed tracks and serving up a traditional live experience for a band. While it certainly appeases fans, the move borders perilously close to a marketing gimmick. No one has turned down the concept yet, though.
[Reuters]
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Maybe it's a last-ditch effort to establish indie's underground-ness, the idea that it works according to a different model than mainstream's preference for singles