Feature ·

Three Things You Should Know About the SoCo Music Experience in Madison, WI

1. Just because the show’s free, don’t confuse it with Woodstock.

 

Despite the fact that admission to the SoCo Music Experience was free (and the near ubiquity of white dudes with un-ironic dreads, local bands playing circa 1967 rock, and tie-dye shirts), the festival at Willow Park in Madison was nothing like the mother of all live festivals: Woodstock.

 

First off, the unifying principle wasn’t getting stoned and loving each other (although, a fair amount of that went on as well)—it was to get ripped on Southern Comfort. But, doing it responsibly of course. Southern Comfort’s logo was literally all over the festival—it covered walls, signs, tents, banners, and even toilet paper in the porta-johns (I’m exaggerating). Southern Comfort was all for expanding your mind, as long as your consciousness was being expanded by their brand of booze.

 

Second, the line-up wasn’t dominated by no-namers like Country Joe and the Fish or Wavy Gravy, it featured four national bands of varying musical genres (Beneveneto Russo Duo, GZA, the Black Keys, and the Roots); the kind that don’t venture to Madison very often. Given the jam-band friendly confines of Madison (where Phish are still one of the most popular bands on campus) the Roots drew the biggest crowd.  

 

2. ?uestlove may be the most famous drummer in America, but the Black Keys’ Patrick Carney is more menacing.

 

?uestlove is arguably the best-known drummer in America (how many drummers, besides Travis Barker can you name?), as he is often the centerpiece to the Roots’ jam sessions onstage, and thanks to appearances on “Chappelle’s Show.” But the Black Keys’ Patrick Carney is more powerful, angrier, and more entertaining.

 

While playing, Carney is like an out of control locomotive, sputtering and chugging off a cliff into oblivion. He attacks the drums like they personally offended him, often closing his eyes and mouthing the drum part as he flails around his kit. The mikes and cymbals on his drum riser sway like bowling pins. Unlike ?uestlove, he only has to fight for attention with guitarist Dan Auerbach, but he often becomes the central-focus of the band.

 

3. Black Thought could be one of the best live MC’s if only his band let him be the star

 

Two hours before the Roots took the SoCo mainstage, Wu Tang’s lyrical swordsman GZA commanded the stage like the metaphorical samurai he claims to be. He paced the stage like tiger waiting to strike, demanding the audience hang on his every word. (Whether that worked is debatable, since most of the hippies in attendance looked terrified, while others looked elated to have the opportunity to throw up the “W”.)

 

Black Thought matches GZA’s swagger, but doesn’t command the stage in the same way. Some of that could be Thought trying to refrain from entering the spotlight, but most of it is due to his band being the main draw. The band jammed pretty aimlessly for their hour and change set, with only a handful of tracks bubbling up from the improvisation (“Criminal” being the best).

 

Thought was thoroughly entertaining when he was allowed to get into a verse—dropping each line meticulously-- but most of the time he was playing bandleader; introducing the tuba player and laughing and wandering around. If the Roots are ever going to be as big in hip-hop as they are in other genres, they need to let Thought be the centerpiece, not the band’s improv.

 

The whole festival could have been Black Thought’s, (the Roots were a great middle ground between the Black Keys and GZA) but their performance was roundly disappointing.  

 

Photo Credit: Chris Owyoung/Prefixmag.com

James Jackson Toth, The Duchess and The Duke - The Duchess and Duke: Show Review, Valentine's (Albany, New York) Week in Preview [September 9, 2008] Heading to the record store? Here's what's new.
Tags
SoCo Music Experience

"the line-up wasn’t dominated by no-namers like Country Joe and the Fish or Wavy Gravy, it featured four national bands of varying musical genres (Beneveneto Russo Duo, GZA, the Black Keys, and the Roots); the kind that don’t venture to Madison very often."

What Madison do you live in? There are tons of great bands passing through this city over the next two months including Magnetic Fields and Wolf Parade. Also, have you checked out the line-up for the Forward Music Fest on September 19-20 in downtown Madison? 72 BANDS!!! Neko Case, Mason Jennings, Bob Mould, and so many more. For the love of...Madison kicks ass.

Darling

It's great if you love alt-country sure, but rap acts barely ever come through. And neither do indie rock bands very often either. Sure, there are two good bands coming through in the next two months, but how about the other 58 days of the month? Probably a lot of bands from La Crosse.

/site_media/uploads/images/users/thestorfer/1202393jpeg.jpeg andross

I'll agree with you that hip-hop acts don't come through Madison a whole lot, but you are wrong when if comes to indie-rock. While yes there are a lot of local bands that play town you would be hard pressed to find that in most small cities, but looking at the next 58 days there are some pretty great shows:

Motorhead
Okkervil River
Walkmen
Dandy Warhols
Neil Hamburger
Hayden
Dr. dog
Mathematicians
Southern Culture on the Skids
Pinback
MURS (there's one for you)
Electric Six
Stephen Malkmus
Blitzen Trapper

and most of those are what I pulled from the High Noon Saloon's website. You have 10 shows at the High Noon alone between now and the end of October I think that is a pretty decent amount of acts given the size of the city.

Joshua_James

Since when are Motorhead indie?

OK, the next few months have a decent line-up, but my point was that the show featured acts that don't typically make it through Madison way. By and large, there isn't alot of truly great national bands that hit Madison. I'm sure it's the first time a Wu Tang member played west of Milwaukee in Wisconsin.

/site_media/uploads/images/users/thestorfer/1202393jpeg.jpeg andross

I threw Motorhead in there because Lemmy is awesome. There are a great deal of national indie bands that come to town, one just has to look for them as they usually come before they become huge. What I'm trying to say it that it is often the public's fault for missing out on some great concerts.

And Method Man and Red Man played the Barrymore last year as I recall.

Joshua_James

Find us on Facebook

Latest Comments

    Recommended